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Steve Vai


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712 odgovor(a) na ovu temu

#21 YaYoGakk

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Vrijeme objave: 22 Ožujak 2004 - 22:40

po meni, jedan od najvećih umjetnika među današnjim glazbenicima.ima apsolutno sve - tehniku, feeling, dobar je showman, i genijalan autor.jedinstven je u svemu, i bas zato se izdvaja iz gomile vrhunskih gitarista koji su slični jedan drugome ka jaje jajetu.mozart za novi milenij.

#22 YaYoGakk

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Vrijeme objave: 22 Ožujak 2004 - 22:49

ima bit da sam se ja rodio u krivom vremenu!! :'( :'( :'(svi vole neke ultra brze arpeđaše... a ja volim šta sporije to bolje; može bti i brzo, ali neka je psihodelično :'( :'( :'(

po ovoj izjavi pretpostavljan da nisi puno cua od vaija :-\kod njega ima vise sporog i psihodelicnog nego ultra brzih arpeggia...hmmm..... za pocetak, najbolje da poslusas "alive in an ultra world".vai je bog, pitanje je samo koliko brzo ces to shvatit ;)

#23 tsoG

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Vrijeme objave: 22 Ožujak 2004 - 22:57

hmmm..... za pocetak, najbolje da poslusas "alive in an ultra world".vai je bog, pitanje je samo koliko brzo ces to shvatit ;)

Imas li slucajno divx ili mozda cak dvd od navedenog live-a?

#24 gogothegogo

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Vrijeme objave: 22 Ožujak 2004 - 23:52

nikad nisam mogao provarit Vaija...jezim se od 80'ih i gomile plastike, a Vai je upravo to - gomila 80'ies plastike

#25 Lord Sirius

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Vrijeme objave: 23 Ožujak 2004 - 00:00

nikad nisam mogao provarit Vaija...jezim se od 80'ih i gomile plastike, a Vai je upravo to - gomila 80'ies plastike

bitno da mozes provarit kobejnaa ne bi vjerovao - Vai je zivio i u 90tima i isto stvarao brilijantnu muziku..kao sto yayogakk kaze...vai je bog gitare...samo je pitanje vremena kada ces to shvatiti...

#26 dino

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Vrijeme objave: 23 Ožujak 2004 - 00:13

gle...nije cobain izmislio gitaru..........2. pljuješ po svemu.........od vai-a nisi čuo ni 3 pjesme...garant......kao i što nisi svirao ni fendera ni gibsona....a pljuješ po njima...Pa što očekuješ....Razumio bi da ti samo ja pokušavam neš reć...ali čovječe pogle si samo kak si navukao ljude da ti odgovaraju na tvoje"upitne" postove..Tražio si.......TRPI.

#27 Ravana

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Vrijeme objave: 23 Ožujak 2004 - 00:21

Gomila plasike koja odlicno svira ;DUostalom i ti si gomila mesa. amo sto ne sviras tako dobro ;) ;D

#28 Lord Sirius

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Vrijeme objave: 23 Ožujak 2004 - 00:28

Eto, ja se u Vaia ne diram niti on u mene.. Vuk sit, ovce na broju ;Dpremalo sam od njega čua da bi sad moga o njemu pričat.Zato čitam i učim, ali slabo u zadnje vrijeme jer se prepirete nonstop :'(

heh..neznam dal znate ovo...zeletu lipovači je bilo ponuđeno mjesto gitarista u whitesnakeu...i on je odbio...i pogodite tko je na njegovo mjesto dosao ;) ;D ;D

#29 Lord Sirius

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Vrijeme objave: 23 Ožujak 2004 - 00:35

kakve to veze ima, zašto si me kvotao? njeeeeeeeee....

neznam...vec instinktivno stiscem quote umjesto reply..veza je ta sto je vai preuzeo mjesto gitariste whitesnakea nakon sto je zele odbio

#30 Lord Sirius

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Vrijeme objave: 23 Ožujak 2004 - 00:41

a ja cu biti dosadan i drzati se topica ;D ;De da...uz to sto je preuzeo mjesto gitariste whitesnakea kada je zele odbio, isto tako je cekao kada ce yngwie malmsteen odici iz alcatrazza - i doso taj dan i doso vai u alcatrazz

#31 gogothegogo

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Vrijeme objave: 23 Ožujak 2004 - 01:08

evo bijela zastava :;)ispravak kontraverznog posta koji je eskalirao sukobe na inace mirnom forumupo mome misljenju (koje je baj d vej nistavno i bezvrijedno pa ga nemojte ni citati) Vai nije toliko genijalan...mislim je genijalan al mi maalo baca na 80ete i to onaj plasticni dio koji meni osobno nije naaaajdrazi...nimalo ne sumnjam u njegovu genijalnost, slusljivost, virtuoznost itd...ali eto...ne slusam ga non stopjesam ispravio ono odvratno degutantno pljuvanje po jadnom genijalcu Vaiu? :;)

#32 Furnaletto

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Vrijeme objave: 23 Ožujak 2004 - 01:24

ocu rec.. da je glupo da se neciji rad omalovazava... uvik triba poc od svojih radova i sl. stvari.... pola nas ovdi mora jesti zgance do kraja zivota da bi dosli barem blizu takvih genijalaca.. i mislim da se puno da nauciti iz njihove glazbe pa makar je ne slusali!..... eto.... ljudi .. budite otvorenog stava i daleko ce te dogurat... dokazano je da slusanje samo jedne "vrste" glazbe ogranicava kreqativno stvaralastvo muzicara... a nije li to cilj svih nas ovdi "amatera" ;) :) da sviramo kreativno a ne da sviramo zbog toga sto zelimo biti face ili vidjeni... mozda neki i za to sviraju.. :)

#33 Ravana

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Vrijeme objave: 23 Ožujak 2004 - 01:29

Treba razlikovat kvalitetu od ukusa. Meni se Vai ne svidja al je sigurno medju nekoliko najboljih gitarista uopce. Vise mi se cak svidjaju Santanina ili neka Claptonova "tandrkanja" al zato ne tvrdim da su oni dobri gitaristi jer objektivno nisu nis posebno.

#34 gogothegogo

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Vrijeme objave: 23 Ožujak 2004 - 01:29

ocu rec.. da je glupo da se neciji rad omalovazava... uvik triba poc od svojih radova i sl. stvari.... pola nas ovdi mora jesti zgance do kraja zivota da bi dosli barem blizu takvih genijalaca.. i mislim da se puno da nauciti iz njihove glazbe pa makar je ne slusali!..... eto.... ljudi .. budite otvorenog stava i daleko ce te dogurat... dokazano je da slusanje samo jedne "vrste" glazbe ogranicava kreqativno stvaralastvo muzicara... a nije li to cilj svih nas ovdi "amatera" :) :) da sviramo kreativno a ne da sviramo zbog toga sto zelimo biti face ili vidjeni... mozda neki i za to sviraju.. :)

e vidis ja i ti se ocito jaako razlikujemo u tome..ja mislim da i retardirani debil (recimo Jajan iz nocne more) ima pravo imati i javno izreci svoje misljenje ma koliko se ono ne svidjalo nekome drugome...ja nisam jeo puno zganaca, mozda moram al necu jer mi se neda..sto ne znaci da nemogu imat lose misljenje o necemu sto Vai covjek-zganac ( ;D ovo nije pljuvanje nego se on toliko najeo zganaca da je postao zganac...) napravi...kad pocinjes vjerovat u "bogove" to ti je pokazatelj da nesto ne stima ;)

Edited by Deda Pantelija, 13 Studeni 2009 - 11:06 .


#35 mAnimal

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Vrijeme objave: 23 Ožujak 2004 - 22:20

In the mid to late 80s I had entered the bigger scene the day I joined the DLR band. After Edward [Van Halen] had reinvented rock guitar in the 70s and 80s the focus was on virtuoso type guitar playing in a rock context. This concept had been building steadily through the early 70s with players like Hendrix, Page, Brian May, Ritchie Blackmore, etc. These were the players that compelled me to want to play the instrument as brutally yet as beautifully as I possibly could. By the time I joined with Dave [Roth] my chops were honed and unleashed on the Eat 'Em and Smile record. Other players were emerging on the scene that were raising the bar on control of the instrument. Randy Rhodes, Neil Schon, Yngwie Malmsteen and Joe Satriani were some of the players who contributed to tasty shred. As a result the 80's were a time when you could practice the hell out of your instrument and flail like a madman in a cacophony of, do all you can in these 16 bars, guitar solo drenched pseudo-virtuostic frenzy. It was a time of recognition and before I knew it I was on the cover of every major guitar magazine in the world, sometimes 3 times in a year. It was a great time for rock stars. The shows were huge with stages of doom where the lighting rig alone took up to 11 semi-tractor trailer trucks to lug around. These days I use one small U-Haul trailer that's dragged on the back of the bus, can you notice the difference? There wasn't a guitar magazine I could pick up that didn't have something amazing and flattering to say about me. It was almost surreal reading quotes from people like Eric Clapton, Jimmy Page, and Billy Gibbons. I knew in my heart of hearts that it would all pass and that a new trend would eventually emerge; Welcome the Grunge movement. Volumes could be written about the grim reaper who appeared with his scythe and whacked the hair sprayed heads off of every shred, spandex band from the 80s. It took a lifetime for people like myself, Joe and Yngwie to be able to play the way we do and I suppose a lot of young guitar players just did not want to spend a life time toiling away over a hot guitar to try to outdo the previous guy. The 80s scene was becoming rather insipid anyway. MTV was almost as painful then as it is now. The whole revolution was rather refreshing in an odd way. As a result of this musical rebellion bands like Pearl Jam and Nirvana were banging out inspired melodies over slamming distorted guitar chords. I thought these bands were brilliant, but like any trend it had it's pantomiming ne'er-do-wells that tried to copy the genius of others and once again the airwaves were polluted with insipid dreck. Like any trend some of it was inspired and some of it was sheer crap but I give credit to anyone that picks up an instrument and tries to make a go of it. There was a tremendous whiplash against the virtuoso guitar hero and it felt as though most of it was aimed at me in the press. During the first part of the 90s it was virtually impossible for me to pick up a guitar magazine and not read something terrible written about me. It was rare to read editorials or letter sections where I was not mentioned at least once in an unfavorable way. Most of it was aimed at my style of playing but there was some pretty uncalled for personal shots too. I recall one reviewer saying that my parents should have been sterilized so they could not have had me. Now, regardless of what artists say when they're commenting on how much they don't care what fans or critics say about them or their music, they actually do care. In their hearts, they really do care. None of us like when we are being attacked. Whenever you create something, be it a painting, a song, a book etc., it's really a testimony of your soul. Your creation is a naked presentation of your personal character and moral fiber. When that product is then introduced to the world and slandered it's difficult to not feel as if it's directed directly to the core of who and what you are as a person. Such is the risks of creating art, be prepared for the highs and lows, and don't think drugs will make it go away. I grew some thick skin but I always knew it was inevitable. None of this ever changed my love for the instrument or my desire to play the shit out of it. I always felt that I needed to do my best and the reward is having control over an instrument to the point where you can use it to express yourself limitlessly. To this day when I sit and play I am completely thrilled and fascinated that I can run my fingers effortlessly up and down the neck of that instrument and experience expressional liberation. And no matter what the latest trend or hairdo is, there is nothing that will stop me from doing it because I LIKE IT! During the 90s there were a lot of young guitar players that were picking up the instrument and being influenced by the Monsters of the 80s. They didn't know it was "uncool" to be proficient but for the most part they were still uninterested in being virtuosos. They had another agenda and as a result, guitar playing in the 90s and to date is not usually drenched in 32nd notes. The brand of music that I was hearing in my head and wanted to make real was not necessarily based on guitar shredding. I use my chops as a tool to get my point across when it calls for it. When I sat down to make Passion and Warfare, I didn't really care if my brand of music would sell or not. It was just what I knew how to do so I did it. It was important to me to continually try to push the boundaries of my abilities. I knew that if I just kept recording and releasing what I thought was quality and somewhat unique music that I could get through the assault. In some ways it seemed to work. There are usually three responses that you can get when my name comes up. The first one is "Never heard of him," another might be, "Oh that guy, he's a guitar God genius," and another is "Who, that guy? Isn't he that Mongolian string shredder from the hair band 80s? Is he still making records?" Actually the one that I get the most these days is, "Hey dude, did anyone ever tell you that you look like Tommy Lee." For which my stock response is, "Yeah, but I have better taste in women and a bigger penis." Actually, if the latter was true then I might have a real career! .... (ostatak se ne tiče teme... ) ;DTek toliko da malo upoznate Steviea.. njegove stavove i razmišljanja..a ne da sudite o čovjeku na temelju njegove frizure, načina odjevanja, spota kojeg ste zadnji put vidjeli '89...

#36 Ravana

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Vrijeme objave: 24 Ožujak 2004 - 08:49

Car 8)

#37 mAnimal

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Vrijeme objave: 02 Travanj 2004 - 21:36

Posted ImageNelly Furtado i Steve Vai na dodjeli Grammya... Steve ima fenomenalnu košulju.. ja bi takvu! ;D

#38 mAnimal

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Vrijeme objave: 02 Travanj 2004 - 22:07

Pogledajte ove fenomenalne prezentacije kućnog studija genijalnog Vaija...ostat ćete razjapljenih usta i razrogačenih očiju.... pustit ćete suzu  :'(Za gledanje vam treba Quick Time. Fajlovi su po 500-600 kb pa malo morate pričekati, ali isplati se! Posted ImageSteve in the Mothership Control Room.LINK: http://www.vai.com/S...controlroom.movPosted ImageThe Mothership Performance Room.LINK: http://www.vai.com/S...r/qtvr_room.mov

#39 mAnimal

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Vrijeme objave: 04 Travanj 2004 - 00:50

Zar nitko nema komentara na Steveijev studio na obroncima hollywooda? ???

#40 Lord Sirius

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Vrijeme objave: 04 Travanj 2004 - 00:53

Zar nitko nema komentara na Steveijev studio na obroncima hollywooda?  ???

ja hoću takav studio!




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